Full feature list Nikon FX-format CMOS sensor with 36.3 effective Megapixels With a huge 36.3 Megapixel full-frame CMOS sensor your photos will have more detail than ever before. The sensor is 35.9 X 24 mm – producing such incredible detail, that the Nikon D800 can render textures and nuances equivalent to high-end medium format cameras. Define every eyelash, every line in tree bark, and every shimmer of light. You can now savour the exceptional depth in your photos and enlarge them as big as A1 posters at 200dpi. Native ISO 100 to ISO 6,400 – expandable to the equivalent of ISO 50 to 25,600 High-resolution, studio-quality images shouldn’t be restricted to the studio. The Nikon D800 sets a new benchmark for high-resolution DSLR cameras, with clean and crisp images across a wide ISO range. Flexibility like this opens up new imaging opportunities for still photographers and cinematographers. Even at high ISO settings, the camera’s intelligent noise reduction systems manage noise without sacrificing fine details, giving the nikon D800 the edge on its competition. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images. High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur. Manipulate light to your advantage With the Nikon D800, our engineers have combined high-resolution performance with a wide ISO range – making many photographers dreams a reality. New methods have been employed to manipulate light transmission to the sensor’s photo diodes, delivering crisp, brilliant images with significantly less noise. Shoot broadcast quality video Many filmmakers require the highly mobile, lightweight and compact advantages of a DSLR The Nikon D800 is capable of shooting full 1080p HD video in either FX or DX modes – yours to choose depending on your creative intentions. Combined with the processing power of the new EXPEED 3 processor, you can shoot broadcast quality video at 30 frames per second. in order to cover large events, make documentaries, music videos or movies. For these professionals, the Nikon D800 is ready to create incredible cinematic experiences. Comprehensive high-fidelity audio recording control The Nikon D800 is designed for crisp stereo recording with a built-in external stereo microphone input. Attach the compact ME-1 Stereo Microphone to record clear sound while significantly reducing mechanical noise. An external headphone jack enables you to effectively monitor and control audio in isolation. Live view output on external monitors While shooting movies you can now simultaneously check the video feed on an external monitor using an HDMI connection, in addition to the camera’s TFT monitor. For those who need the purest video output for professional quality editing, you can now record uncompressed movie live view footage directly to an external storage device via HDMI interface. Integrated image sensor cleaning system Ever experienced the frustrations of dust reaching your cameras image sensor? The Nikon D800 automatically prevents this. Employing Nikon’s new Integrated Dust Reduction System the sensor self-cleans itself with four resonance frequencies to vibrate the optical low-pass filter and shake dust away. There’s also no need to worry if you’re shooting landscapes at low shutter speeds – you can set the self-cleaning sensor onto manual to prevent any camera shake. EXPEED 3 image-processing engine: speed, versatility, and high performance To process the Nikon D800’s huge 36.3 megapixel full-frame CMOS, Nikon engineers have included the new EXPEED 3 image processing engine so you don’t have to sacrifice speed for the privilege of incredibly high-resolution photos. From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than the acclaimed EXPEED 2 processor. Even with specialised processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected. EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30fps with ease. Advanced Scene Recognition System with 91K-pixel RGB sensor Nikon’s revolutionary Advanced Scene Recognition System, introduced with the flagship Nikon D4 camera, is also employed in the Nikon D800. At its core is a 91K-pixel RGBRGB sensor can recognize your scene’s colours and brightness with unprecedented precision then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder. Along with face detection, detailed scene analysis is utilised to support more accurate auto-focus; auto exposure and i-TTL sensor that meticulously analyses each scene with fine resolution. The flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations. Time-lapse photography Capture a variety of scenes and subjects at a breathtaking pace. The Nikon D800 lets you set intervals and frame rates in order to dramatically relay slow-moving activity at dramatic speeds. The Nikon D800 allows you to shoot time-lapse photography with replaying rates from 24 times to 36,000 times faster than normal. Time-lapse photography files can be saved as a movie file. Advanced Multi-CAM 3500FX autofocus sensor module Accurate AF detection is crucial for extremely high-resolution still images in every situation. The 51 sensor points in the Nikon D800’s AF sensor module work down to -2 EV (ISO 100, 20°C/68°F), the approximate physical limit of human visibility through an optical viewfinder. For even more powerful detection, you can rely on the camera’s 15 cross type sensors in the centre to detect both vertical and horizontal lines when using any AF NIKKOR lenses of f/5.6 or faster. What’s more, AF can be activated with eleven focus points in the centre with open aperture of f/8, which is a big plus when you combine a telephoto lens with a 2.0x teleconverter to shoot distant subjects. Versatile AF-area modes Whether it’s a still life, a portrait, a landscape or a candid street scene, your subject matter varies, but its importance doesn’t. That’s why the Nikon D800 offers four AF-area modes, each specifically tailored to adapt to various subjects. Single-point AF is ideal when you need pinpoint focus on stationary subjects. Dynamic-area AF has three options (9-point, 21-point and 51-point) and is ideal for shooting moving subjects. The selected AF point and the surrounding points keep your subject in sharp focus even if it briefly leaves the selected points. 3D-tracking allows you to maintain focus on subjects that are moving erratically from side to side. Auto-area AF detects human faces and prioritises their sharpness for you — an ideal choice for candid photography. High-precision, high-durability shutter The Nikon D800’s shutter unit has been tested to well over 200,000 cycles of release to prove durability and precision. While the shutter unit is designed to run at a speed range of 1/8,000 to 30s, its intelligent self-diagnostic shutter monitor automatically monitors actual shutter speeds in order to correct possible variances that can occur over time. High dynamic range (HDR) The Nikon D800 can shoot two frames in a single shutter release, but at different exposures: one overexposed and one underexposed. The camera then instantly combines them to create an image covering a wider dynamic range. The range can be widened by up to 3 EV for different looks, all full of saturation and tonal gradation, while the smoothness of the edge where the two exposures meet can be adjusted for a more natural appearance. Don’t miss a moment The Nikon D800 is designed to respond immediately. Once the camera is turned on, it starts up in approximately 0.12 seconds* and your finger is in position for shutter release. Release time lag is minimised to approx. 0.042 seconds*, equivalent to that of the Nikon D3S. The Nikon D800 also has the ability to shoot continuously at 4 fps in FX mode, and 5fps in DX mode. (*Based on CIPA Guidelines) 3.2 inch, 921k-dot LCD monitor The Nikon D800’s large and sharp colour LCD monitor delivers bright, crisp image playback with a much larger capacity for accurate colour reproduction. Using an anti-reflective structure, you can count on clarity equal to that of the D4, even under bright conditions. Moreover, if monitor brightness is set to “Auto”, the camera automatically adjusts LCD brightness according to the environmental lighting conditions measured by the ambient brightness sensor, allowing easy use of live view in both bright and low-lit places — very useful when shooting video and stills. The ability to magnify playback images up to 46x (Large-size images in FX format) is extremely helpful for spot focus confirmation. Lightweight yet durable construction The Nikon D800 has been designed to achieve better durability and lighter weight. The result is a camera approximately 10% lighter than the Nikon D700, yet just as rugged, weighing in at around 1,000 grams. A magnesium alloy construction protects the camera against accidental shock, and weather and dust sealing has been extensively applied and severely tested, making the Nikon D800 as reliable on the road as it is in the studio. High-speed CF and SD dual card slots Card recording speed is yet another crucial element of a smooth and productive shooting experience. The Nikon D800’s CF memory card slot is compatible with the latest UDMA 7. The SD card slot is compatible with SDXC (Secure Digital extended Capacity) and UHS-I. You can also use two cards simultaneously for a number of functions, such as recording JPEG and RAW data on separate cards, recording the same data simultaneously on two cards for backup. | Type of Camera | Single-lens reflex digital camera | | Lens mount | Nikon F mount (with AF coupling and AF contacts) | | Effective Pixels | 36.3 million | | Image Sensor | 35.9 × 24.0 mm CMOS sensor (Nikon FX format) | | Total Pixels | 36.8 million | | Dust-reduction System | Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) | | Image size (pixels) | FX (36 × 24) image area: 7,360 × 4,912 (L), 5,520 × 3,680 (M), 3,680 × 2,456 (S); 1.2x (30 × 20) image area: 6,144 × 4,080 (L), 4,608 × 3,056 (M), 3,072 × 2,040 (S); DX (24 × 16) image area: 4,800 × 3,200 (L), 3,600 × 2,400 (M), 2,400 × 1,600 (S); 5 : 4 (30 × 24) image area: 6,144 × 4,912 (L), 4,608 × 3,680 (M), 3,072 × 2,456 (S); FX-format photographs taken in movie live view: 6,720 × 3,776 (L), 5,040 × 2,832 (M), 3,360 × 1,888 (S); DX-format photographs in movie live view: 4,800 × 2,704 (L), 3,600 × 2,024 (M), 2,400 × 1,352 (S); Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 × 16) 1.5x image area; an FX-based format is used for all other photographs. | | File Format | NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed; TIFF (RGB); JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression (Size priority); Optimal quality compression available; NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats | | Picture Control System | Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls | | Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXCUDMA compliant) memory cards; Type I CompactFlash memory cards ( | | Dual card slots | Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. | | File system | DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge | | Viewfinder | Eye-level pentaprism single-lens reflex viewfinder | | Frame coverage | FX (36 × 24): Approx. 100% horizontal and 100% vertical; 1.2x (30 × 20): Approx. 97% horizontal and 97% vertical; DX (24 × 16): Approx. 97% horizontal and 97% vertical; 5:4 (30 × 24): Approx. 97% horizontal and 100% vertical | | Magnification | Approx. 0.7 x (50 mm f/1.4 lens at infinity, -1.0 m-1) | | Eyepoint | 17 mm (-1.0 m-1; from centre surface of viewfinder eyepiece lens) | | Diopter adjustment | -3 -+1 m-1 | | Focusing Screen | Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid | | Reflex mirror | Quick return | | Depth-of-field preview | When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) | | Lens aperture | Instant return, electronically controlled | | Compatible lenses | Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKORNIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster. lenses) and DX lenses (using DX 24 × 16 1.5x image area), AI-P | | Shutter Type | Electronically-controlled vertical-travel focal-plane shutter | | Shutter Speed | 1/8000 – 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 | | Flash sync speed | X=1/250 s; synchronises with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) | | Release mode | Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up | | Approximate frame advance rate | With EN-EL15 batteries; Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps; Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fps; Other power sources; Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps; Image area: 1.2x; CL: 1-5 fps, CH: 5 fps; Image area: DX; CL: 1-5 fps, CH: 6 fps | | Release Self-timer | 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s | | Exposure Metering | TTL exposure metering using 86K (86,400)-pixel RGB sensor | | Exposure Metering method | Matrix: 3D colour matrix metering III (type G and D lenses); colour matrix metering III (other CPU lenses); colour matrix metering available with non-CPU lenses if user provides lens data; Center-weighted; Weight of 75% given to 12 mm circle in centre of frame. Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame); Spot: Meters 4 mm circle (about 1.5% of frame) centred on selected focus point (on centre focus point when non-CPU lens is used) | | Exposure Range (ISO 100, f/1.4 lens, 20 °C/68 °F) | Matrix or centre-weighted metering: 0-20 EV; Spot metering: 2-20 EV | | Exposure meter coupling | Combined CPU and AI | | Exposure mode | Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) | | Exposure compensation | -5 -+5 EV in increments of 1/3, 1/2, or 1 EV | | Exposure bracketing | 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV | | Flash bracketing | 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV | | White balance bracketing | 2-9 frames in steps of 1, 2, or 3 | | ADL bracketing | 2 frames using selected value for one frame or 3-5 frames using preset values for all frames | | Exposure lock | Luminosity locked at detected value with AE-L/AF-L button | | ISO sensitivity (Recommended Exposure Index) | ISO 100 – 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available | | Active D-Lighting | Can be selected from Auto, Extra high, High, Normal, Low, or Off | | Autofocus | Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx. 0.5-3 m/1 ft 8 in.-9 ft 10 in.) | | Detection range | -2 -+19 EV (ISO 100, 20 °C/68 °F) | | Focus – Lens servo | Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status; Manual focus (M): Electronic rangefinder can be used | | Focus point | Can be selected from 51 or 11 focus points | | AF-area mode | Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF | | Focus lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button | | Built-in flash | Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F) | | Flash control | TTL: i-TTL flash control using 86K (86,400)-pixel RGBTTLSLR is used with matrix and centre-weighted metering, standard i-TTL flash for digital SLR with spot metering sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i- balanced fill-flash for digital | | Flash mode | Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported | | Flash compensation | -3 -+1 EV in increments of 1/3, 1/2, or 1 EV | | Flash-ready indicator | Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output | | Accessory shoe | ISO 518 hot-shoe with sync and data contacts and safety lock | | Nikon Creative Lighting System (CLS) | Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units | | Sync terminal | ISO 519 sync terminal with locking thread | | White balance | Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose colour temperature (2500 K-10000 K), all with fine-tuning. | | Live View Modes | Live view photography (still images), movie live view (movies) | | Live View – Lens servo | Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F); Manual focus (M) | | Live View – AF-area mode | Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF | | Live View – Autofocus | Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) | | Movie – Metering | TTL exposure metering using main image sensor | | Movie – Frame size (pixels) and frame rate | 1,920 × 1,080; 30 p (progressive), 25 p, 24 p; 1,280 × 720; 60 p, 50 p, 30 p, 25 p; Actual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support both high and normal image quality | | Movie – File Format | MOV | | Movie – Video compression | H.264/MPEG-4 Advanced Video Coding | | Movie – Audio recording format | Linear PCM | | Movie – Audio recording device | Built-in monaural or external stereo microphone; sensitivity adjustable | | Movie – Options | Index marking, time-lapse photography | | Monitor | 8-cm/3.2-in., approx. 921k-dot (VGA) TFT LCD with 170 ° viewing angle, approx. 100% frame coverage, and automatic monitor brightness control using ambient brightness sensor | | Playback | Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) | | Interface – USB | SuperSpeed USB (USB 3.0 Micro-B connector) | | Interface – HDMI output | Type C mini-pin HDMI connector; can be used simultaneously with camera monitor | | Interface – Audio input | Stereo mini-pin jack (3.5mm diameter) | | Interface – Audio output | Stereo mini-pin jack (3.5mm diameter) | | Interface – Ten-pin remote terminal | Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) | | Supported languages | Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian | | Power Source – Battery | One rechargeable Li-ion EN-EL15 battery | | Power Source – Battery pack | Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries. | | Power Source – AC adapter | EH-5b AC adapter; requires EP-5B power connector (available separately) | | Tripod socket | 1/4 in. (ISO 1222) | | Dimensions (W x H x D) | Approx. 146 × 123 × 81.5 mm (5.7 × 4.8 × 3.2 in.) | | Weight | Approx. 1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx. 900 g/1 lb 15.7 oz (camera body only) | | Operating environment – Temperature | 0-40 °C (+32-104 °F) | | Operating environment – Humidity | Less than 85% (no condensation) | | Note | Unless otherwise stated, all figures are for a camera with a fully-charged battery operating at an ambient temperature of 20 °C (68 °F). |
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